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1. #Scopebox vlc how to#
2. #Scopebox vlc for mac#
3. #Scopebox vlc movie#
4. #Scopebox vlc 720p#
5. #Scopebox vlc download#

#Scopebox vlc download#

Note: please be considerate and only download them sparingly as needed. Compressing them for web would precisely alter what we’re trying to observe! Deinterlace TestsĪll files, a total of 2.68 GB, are available here for reference. Changing this to Top First forces it to treat it as interlaced (since HDV is top field first). Since the file is actually H.264, Compressor reads the metadata and selects Progressive by default. By carefully clicking on the input file’s box, the Inspector window on the right shows a little section called File Properties. The Compressor TrickĬompressor, it seems, has a handy feature that allows “forcing” an input file’s field order. Of these three, Compressor was the clear winner.

#Scopebox vlc 720p#

So rather than deal with all that I said instead, “Let’s just save H.264 in Wirecast to disk!” (It was a pretty neat setup actually, using two Wirecast documents open simultaneously, one for the livestream and one just for the camera’s archive stream.) Just in case 1080p would create an upscale, I thought going 720p would be better. For example: since HDV is technically a 4:3 1440x1080 image that’s then stretched out, I wasn’t sure whether I should record to 1920x1080 or 1440x1080.

#Scopebox vlc how to#

Wirecast doesn’t know how to “automatically” record as HDV instead it manually requires setting the codec format, frame rate, etc. While this post details many other general livestreaming lessons learned, there are a few major downsides to relying on Wirecast for raw footage which I now realize. It wasn’t possible to share the video source with both Wirecast and ScopeBox, so I thought, “Hey, why not try recording straight to disk in Wirecast instead?” In order to avoid those awful MiniDV tapes-whose tape changes I feared also might cause the live feed to that meant recording to disk. It has a Firewire out which makes it perfect for livestreaming.įor this event, I wanted to (1) use the FX7 for livestreaming and (2) also record the raw HDV video itself for editing afterwards. AVCHD files compressed into H.264 for editing will look just awful. If you plan to edit the resulting file, convert it to ProRes instead. X.264 and H.264 should only be used when creating files for the web. We’ll start with a quote from Larry Jordan: x264 Decomb, Top Field First (HandBrake).x264 Deinterlace, Top Field First (HandBrake).Appendix: Custom Encoding Presets Tried.If you ever had problems missing the start of the shot in the past, now you can forget about them, because ScopeBox uses buffered recording, keeping a constant video buffer so your video recording starts even before you hit "Record".Īlthough the system requirements are not yet available, I can tell you that this program is available for an introductory price of 300$ (SD edition) and 600$ (HD edition) until the 15th of January.

#Scopebox vlc movie#

The interface of the program is clean and modern, designed to present the data you need with as little clutter as possible, and the ability to play any QuickTime video from your hard drive is a nice addition.Īpart from monitoring your video, you can also capture it, and ScopeBox's recorder palette allows you to easily digitize your video directly to disc, as a QuickTime movie or DV stream. ScopeBox can be used with any QuickTime-supported capture device, no matter if it's about DV, SDI, analog or HD-SDI. ScopeBox is able to easily replace a bunch of other tools - Preview Monitor, Vectorscope, Audio Meters, Waveform, Direct Disc Recorder and adds Luminance and RGB Histograms, as well as RGB Parade to the arsenal you'll have at your disposal if you decide to use it.

#Scopebox vlc for mac#

Video production and computer graphics are going forward at full speed, and I get to see every day new applications built to help create visual content, and today is no exception.ĭivergent Media is a software producer that one day ago released ScopeBox, its video production and post production suite for Mac based on image capture, monitoring and analysis. The fact that we're living in a visual world is not something that many people deny, and the surrounding reality proves it.

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